The Uplands
Photo by Matthew Guthrie
A relaxing stroll and escape into the Texas Hill Country
The Uplands is a 45-acre property acquired by Westcave in 2008. Conservation efforts on the Uplands are essential to the overall health and functioning of the preserve, protecting a live oak and Ashe juniper savanna that supports wildlife, native plants, and the surrounding canyon ecosystem. As part of ongoing prairie restoration, portions of the Uplands have received prescribed burns and reseeding efforts to support native grasses, wildflowers, and long-term habitat health.
The shared efforts of many volunteers and staff have contributed greatly to conserving and improving access to the Uplands. The Uplands trail system was established in 2014, followed by Murphy Bird Blind in 2014, Leif’s ADA-friendly Bird Blind in 2018, and ADA-friendly trail improvements to a prairie viewpoint in 2021. Today, the Uplands also includes the Homestead Site, where visitors can experience the historic cabin space and learn more about the human history of the land.
Photo by Matthew Guthrie
What You Will Experience
Visitors can explore a mile and a half of unimproved hiking trails that wind through a dynamic live oak and Ashe juniper savanna. In spring, the savanna comes alive with wildflowers, later transforming into tall grasses during the drier seasons. During your visit, you can enjoy bird watching at either of our two bird blinds, rest in the Ahrns Grove and pollinator garden, glimpse native prairie restoration, visit the Homestead Site, and take in expansive views of the surrounding Texas Hill Country. Benches are placed throughout the trail system, offering quiet spaces to pause, reflect, and enjoy the sounds of nature.
The portion of the trail system from the Visitor center through the Ahrns Grove past ADA-accessible Leif's Bird Blind to a viewpoint of the prairie restoration area is ADA-friendly.
$5 per person
Members are free! (enter your code at checkout)
Open when Preserve is open for public offerings
Photo by Tom Hausler
Photo by Matthew Guthrie
Photo by Tom Hausler